Omar Khorshid's 1974 release Rhythms from the Orient is the only Lebanese
prog-related album that I know of. Omar Khorshid is a famous Egyptian musician who became well-known in his country both as a guitarist and as a film composer. While my CD doesn't contain too much historical information on Omar's history, it appears that at some point in his career he recorded a certain amount of music in Lebanon, and the music here is promoted as Lebanese music, though Omar is Egyptian(Thanks Bahy!). While Rhythms from the Orient might sound like a "solo guitar" album with gimmick percussion, Omar gave generous room for organ, Moog synth, accordion, along with percussion. Basically, the average listener will find an album with great guitar playing, and kick-ass keyboard/percussion interaction. Omar's style of guitar somehow mixes traditional Oud-like melodies with occasional 50s surf guitar(Dick Dale is of Lebanese ancestry, of course) and 60s psychedelia. The music is based entirely on traditional popular Arabic music, yet the influence of psychedelia, virtuoso organ playing, and Moog synth shows a noticeable western influence. The interaction between organ player and percussionists, though, really does it for me, and it will make the even the dullest Anglo-saxon dance to the rhythms. Try to imagine an organist playing bouncy syncopated Middle Eastern scales to percussionists who swing fast Arabic interlocking rhythms. And to top things off, Omar adds spacy Oud-like melodies with a guitar that's either clean sounding or hooked up to a vintage Swirl-producing pedal(and a unique one at that). Rhythms from the Orient is simply perfect music for your hash-filled(woops, I meant to say Narghile-filled) afternoons. Fans of the Turkish compilations Hava Narghile and Turkish Delights will love this stuff!
Recording Quality: 9/10